
M’barek Bouhchichi Moroccan , b. 1975
Izouran (Racines) No. 1, 2022
Assembled, wood, bone and horn
176h x 127w cm
Copyright The Artist
EN 'A reflection around the idea of bleaching and race. The use of wood, as a natural element that imposes forms, this time recomposed and arranged to mark the idea...
EN
"A reflection around the idea of bleaching and race. The use of wood, as a natural element that imposes forms, this time recomposed and arranged to mark the idea of the desired intervention in front of the natural. The bone and the horn are there as solid and common elements that highlight the connections between human beings and fauna and flora."
FR
"Une réflexion autour de l'idée de blanchiment et de la race. L'utilisation du bois , comme élément naturel qui impose des formes, cette fois-ci recomposé et agencé pour marquer l'idée de l'intervention voulu en face du naturel. L'os et la corne sont là comme des éléments solides et communs et qui mettent en valeur les connexions être humain /faune et flore."
M'barek Bouhchichi
"A reflection around the idea of bleaching and race. The use of wood, as a natural element that imposes forms, this time recomposed and arranged to mark the idea of the desired intervention in front of the natural. The bone and the horn are there as solid and common elements that highlight the connections between human beings and fauna and flora."
FR
"Une réflexion autour de l'idée de blanchiment et de la race. L'utilisation du bois , comme élément naturel qui impose des formes, cette fois-ci recomposé et agencé pour marquer l'idée de l'intervention voulu en face du naturel. L'os et la corne sont là comme des éléments solides et communs et qui mettent en valeur les connexions être humain /faune et flore."
M'barek Bouhchichi
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