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STEEL GENETICS: Jessica Boubetra solo exhibition

Current exhibition
30 April - 25 July 2026
  • Installation Views
  • Works
  • Overview
Jessica Boubetra, Exo Se, 2026
Jessica Boubetra, Exo Se, 2026
Jessica Boubetra, Exo Se, 2026
Jessica Boubetra, Exo Se, 2026
Jessica Boubetra, Exo Se, 2026
Jessica Boubetra, Exo Se, 2026
Jessica Boubetra, Exo Se, 2026

Jessica Boubetra French , b. 1989

Exo Se, 2026
Glass and ceramics
67h x 46w x 14d cm
26.38h × 18.11w × 5.51d in
JB-000010
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%3Cdiv%20class%3D%22artist%22%3EJessica%20Boubetra%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EExo%20Se%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EGlass%20and%20ceramics%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E67h%20x%2046w%20x%2014d%20cm%3Cbr/%3E%0A26.38h%20%C3%97%2018.11w%20%C3%97%205.51d%20in%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Jessica Boubetra, Mémoire Seconde, 2026
  • (View a larger image of thumbnail 2 ) Jessica Boubetra, Mémoire Seconde, 2026
  • (View a larger image of thumbnail 3 ) Jessica Boubetra, Mémoire Seconde, 2026
  • (View a larger image of thumbnail 4 ) Jessica Boubetra, Mémoire Seconde, 2026
  • (View a larger image of thumbnail 5 ) Jessica Boubetra, Mémoire Seconde, 2026
  • (View a larger image of thumbnail 6 ) Jessica Boubetra, Mémoire Seconde, 2026
  • (View a larger image of thumbnail 7 ) Jessica Boubetra, Mémoire Seconde, 2026
The wall-mounted work Exo Se is structured around a central white form composed of smooth, segmented volumes, evoking a spinal or mineral structure. Pale pink cylindrical connectors punctuate the composition, linking this core...
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The wall-mounted work Exo Se is structured around a central white form composed of smooth, segmented volumes, evoking a spinal or mineral structure. Pale pink cylindrical connectors punctuate the composition, linking this core to red, mouth-blown glass, which extend laterally like branching outgrowths and recall vascular or coral-like systems.  The work articulates anatomical, organic and artificial registers, pointing to a conception of the body as an assemblage of functions rather than a unified entity. By mobilising forms that oscillate between the biological and the technical, the work approaches a medical vocabulary, where analogies emerge with devices of implantation, connection, or grafting. It thus brings into play a continuity between the mineral and the organic, as if inert matter could adopt the logics of the living, or conversely, as if the body could be understood as a modular and extensible construction.   
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TUNIS

32 Rue Ibn Nafis
Z.I. Kheireddine, La Goulette, 2015
Tunisia

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